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How to
Write a Successful Brochure Written brochures are an excellent way
to position your company, tell your story, and describe your product or service.
In addition, a professionally executed brochure adds a sense of stability and
credibility to your organization. A good brochure is persuasive: it sells the
reader on the benefits of your product or service and encourages him to buy your
product or service instead of another. Whether you're writing a brochure from
scratch, or you're updating a current one, these tips can help. Always
Write in Terms of Benefit to the Reader The most important thing to
remember when writing a brochure is to write in terms of benefit to the reader.
How will he profit from your product or service? Resist the temptation to talk
about your company. Many people reiterate their company's mission statement; most
are self-serving and do not talk in terms of the client or customer. Focus instead
on the products and services the company offers that will benefit the reader.
Prioritize Your Message Prioritize
your message in two or three key points. Communication research suggests that
people are able to digest and remember only a few points at one time. In determining
your key points, bear in mind that people want to know how your service or product
will benefit them personally, in everyday life. To be credible, you must back-up
your main points with proof; if you can't provide proof, don't use that key point.
For example, if one of your main points is that your product is the safest on
the market, consider how you are going to prove that point-do you have industry
studies that prove your product's safety? Tell
the Complete Story in Headlines Face it: not everyone reads brochures
cover to cover; in fact, most people only skim the materials that come across
their desk every day. Therefore, you should get your message across in the bold
headlines and subheads that the reader will likely read. To prove this point,
read the headlines in this piece. They tell the complete story: "Always Write
In Terms Of Benefit To The Reader," "Prioritize Your Message,"
and so on. It is not necessary to read all of the information in this article
to get the main points. Include Specific Facts
and Figures Use statistics to demonstrate that you are competent and
skilled. For instance, if you run a financial consulting firm, and you can show
that your clients make an average of x percent return on their investment, say
it. List your qualifications and those of your employees if it will enhance your
competence-for example, "All of our doctors are board certified." Use
Testimonials A testimonial is a statement from a satisfied customer
praising you and your products or services. Sometimes you'll get unsolicited letters
from pleased customers; get permission from the customer to use these kind words
in your brochure. If you don't have any testimonials, ask for them. Send a short
note to customers asking them to write a few words about their opinion of your
products or services. Make it easy for them-send a self-addressed, stamped envelope
with your letter, and ask them to jot down their thoughts on the back of the letter
you send them. Be clear in your letter that you will be using their words
in ads, brochures, mail, and other promotions used to market your products or
services. Offer More Information You
can only have so much copy in a brochure. Use all the information you couldn't
fit into the brochure in collateral pieces that you can send to people who request
more information. Ideas include a "Frequently Asked Questions" about
the product or service you provide and a list of the top 10 reasons your product
or service is needed. These pieces should be information-oriented, not sales-oriented.
They will help to confirm your competence in the mind of prospects. Use
Positive Language The copy throughout the brochure should be positive,
interesting, and vivid. The active voice is usually more direct and compelling
than the passive voice. For instance, instead of saying, "The Following Services
Are Available Through XYZ Company," say, "XYZ Company Offers The Following
Services." The active voice usually requires fewer words, leaving you more
room to get your point across. Guarantee Your Products
or Services Ensure that the buyer will be satisfied with your products
or services. If you provide a specific guarantee, include it in the brochure.
If you do not offer a guarantee, emphasize how you will go out of the way to make
sure customers are satisfied. Tell the Next Step
Provide the reader with information on how to order the product or service
or on how to get more information. Oftentimes a tear-off form can be incorporated
so that the reader can quickly send for more information. While a form isn't always
necessary, a phone number is. Additional brochure writing advice and assistance
will be provided upon request. Please contact Shannon R. GaNun at shannon@shannonganun.com
if you have any questions or need further information. I look forward to working
with you to promote your company. © Shannon R. GaNun 1998
top
of page Guidelines
for Talking With the News Media You may be called upon to represent
your company before the news media. Since some form of mass communication reaches
almost every American, media interviews provide an excellent opportunity to promote
your company and to advance its positions on a wide range of issues. The
media serve as gatekeepers. Reporters decide which messages will be communicated,
but you can have a great deal of influence over what those messages will be. In
an interview, you are talking through the reporter to the audience. With this
in mind, it is important to be prepared when you speak with the media. Below are
some guidelines that will help you prepare for and give media interviews. Preparing
for the Interview Obtain Background Information
Before your interview, you should gather as much background information as possible
about both the reporter and the story. This kind of background information may
include the publication's reputation, e.g., Is it a conservative newspaper? Is
it a liberal television news magazine?; the focus or "angle" of the
story; the reporter's style, e.g., Is he confrontational? Does she have a reputation
for expose-type stories?; other individuals already interviewed for the story;
other individuals to be interviewed after you; the length of the proposed story;
the story deadline; the length of time the reporter has been working on the story.
Answers to these questions will help you prepare for the interview. Determine
Key Points Before any interview, you should prioritize your message
in an agenda containing two or three key points. Communications research suggests
that people are able to digest and remember only a few points at one time. To
be credible, you must back-up your main points with proof; if you cannot provide
proof, do not use that key point. In determining your key points, bear in mind
that people want to know how an issue will affect them personally, in everyday
life. Approaching a topic from this viewpoint will help determine your key points. Having
an agenda serves a dual purpose: first, it enables you to determine in advance
what you want the interview to accomplish, and second, it enables you to make
transitions back to the key points that form the core of your story. Remember
that it is your story; do not let the reporter lead you astray. An old adage
about giving a speech also applies to giving an interview: tell the audience what
you are going to tell them; tell them; then tell them what you just told them.
Constant repetition of your main points serves to reinforce your message. It also
increases your chances that the reporter will remember what you said and share
this with the audience. Anticipate Questions
Before the interview, sit down and think through what questions the reporter may
ask. Prepare answers that defuse these questions and bring the conversation back
to your message. Practice answering tough questions before the interview. The
Interview Stay Focused Realize
that you have a story to tell and that it is your responsibility to tell it. Guide
the reporter to questions you would like to answer, and return to your key messages
again and again. Use Quotable Language
Reporters are looking for a few good quotes that summarize the story. Do yourself
and the reporter a favor: provide them. This way, you control the message. Remember
to keep your language positive, interesting, and vivid. Think like a reporter,
and speak in headlines. Also, brief examples and analogies are very quotable. Use
Positive Language If you are asked a negative question, respond with
positives. Listen to the question. Take a moment to think, "Do I agree with
the premise of the question?" Never repeat a negative question. Use transitions,
as described below. Use Transitions
Often, a reporter will ask a question that diverges from your message or frames
your company in a negative way. In these instances, it is wise to use a transition
to guide the conversation back to your message. Such transitions follow. Practice
them and remember to use them during your interview. - That's an interesting
question, but let me remind you ...
- Let me put that in perspective ...
- What's
most important ...
- And don't forget ...
- That's a good point, but
I think your audience would be interested in knowing...
- I do not agree
with the premise of your question. The fact is ...
- What I'm really here
to talk to you about is ...
- Before we get off that subject, let me add
...
- Let me give you some background information ...
- Another thing
to remember is ...
- While _____ is certainly important, don't forget that
_____ ...
Use Facts and Figures
Memorize key points of information that reinforce your message and use them throughout
the interview. Use simple language in your interview. Remember, facts and figures
provide evidence for the story you are telling. Avoid
"No Comment" If you cannot respond to a question, explain
why, e.g., "It's in litigation," "That's proprietary information,"
but don't just say, "No comment." If you do not know the answer to a
reporter's questions, offer to find out and get back to the reporter, or refer
the reporter to another source. Avoid "Off
the Record" Do not say things you would not like to see in print
or on the air. There is simply no such thing as "off the record." After
the Interview Evaluation is one of the most important parts of any interview.
After the interview, review the questions you were asked and how you answered
them. Write it down-keep a record of what worked and what didn't work and review
your notes before your next interview. For broadcast interviews, review the footage
and learn from it. For all interviews, use a small tape recorder during the session,
and listen to yourself afterwards. Practice areas that need improvement. For
More Information Additional media training and assistance will be provided
upon request. Please contact Shannon R. GaNun at shannon@shannonganun.com
if you have any questions or need further information. I look forward to working
with you to promote your company. © Shannon R. GaNun 1998
top
of page Designing
and Producing Your Newsletter Newsletter
Definition According to Webster's Ninth New Collegiate Dictionary,
a newsletter is "A printed sheet, pamphlet, or small newspaper containing
news or information of interest chiefly to a special group." Newsletter
Traits The following are traits of most newsletters: - Fast
read-skimming common
- Specific information on a narrow topic
- Usually
8.5 x 11 inches
- Portable
- Relatively short articles
- Four
to twelve pages
- Regular publishing schedule: weekly, monthly, quarterly
- A
"perfect" newsletter does not exist: finding what works best for your
audience is the goal
Conduct a Pre-Publication
Analysis Goal analysis: Write down your answers to the following
questions. If you don't know the answers, find out. If you can't find out, consider
whether you should be producing a newsletter in the first place. I.
What is the purpose of the newsletter? Publisher's viewpoint:
- Why is the publisher producing it?
- What is the primary message?
- What
are the secondary messages?
- What does the publisher hope to gain from
producing this newsletter?
Reader's viewpoint: - Why would the
reader read it?
- How will the reader benefit from this newsletter?
II. Who is the reader? What are the readership
demographics? - age
- education level
- ethnic
background
- gender
- geographic area
- income
- political
viewpoint
- profession/occupation
- religion
- socioeconomic
class
- others...
Are there any special conditions or situations under
which the reader would use this information? Where will the reader most
likely read this newsletter-at work, at home, somewhere else? Is the reader
reading for fun, profit, self-improvement, or something else? What other
competing publications does the reader read? What other general interest
publications does the reader read? Budget analysis: What
are the budgets for the following? - initial design
- editorial
(in-house and contractors)
- desktop publishing production (in-house and
contractors)
- photo/illustrations (custom and stock)
- printing (prepress,
printing, collating, binding, shipping)
- distribution (mailing lists, collating
and mailing, postage)
Define Your Editorial
Content Write down your answers to these questions: - What
kind of information will you publish?
- What kind of information won't you
publish? For example, if you want your newsletter to have substance and you don't
want it to be an "announcement sheet," you should set a policy up-front
that you will not publish announcements like job changes, promotions, etc.
- Who/what
will be your sources of information?
- Will you have regular departments
and columns?
- What will be the typical number and length of stories for
each issue? Will the stories be short and chatty or longer and in-depth?
Summarize
all of this in a statement of purpose-if you can't tell what it's all about in
a short, concise statement, you have an unworkable product. Examples of statements
of purpose follow: - Insurance Focus is a quarterly publication covering
miscellaneous community association insurance news and information.
- Government
Relations Report is a bimonthly publication covering federal and state legislative
and regulatory news.
Remember that even though design is important,
the content is even more important. Further, the content will drive your design. Choose
a Format Decide the page size: most newsletters are 8.5 x 11 inches. Decide
how many pages the newsletter will be; multiples of four are most efficient. Determine
the number of columns on each page: one, two, or three columns are the most common.
Any more than three columns on a 8.5 x 11 sheet of paper can look crowded and
won't leave enough "white space," or open areas on the page. Determine
the grid: a grid is an arrangement of guides that provide an underlying structure
for columns and page elements. The grid lines do not print out on the final product.
The grid can be from one to seven columns, and the number of columns in the grid
doesn't have to equal the number of columns in the layout. You can use a five-column
grid to produce a two-column newsletter; one column of the grid (the farthest
left or the farthest right) is left open and is used as white space or for photos,
pull quotes, or anything else that would stick out to grab readers' attention. Determine
the width of the columns, the width of the margins, and the space between margins. Determine
if your text will be justified or ragged right. Decide how you will indicate
the beginning of a new paragraph: by a space before it or by indenting it (but
not both). Consider the use of color. Will your publication be full color
(four-color, using the four process colors: cyan, magenta, yellow, and black)
or will it be one-, two-, or three-color, using spot colors (color applied to
certain elements of a page: usually specified as a Pantone color, or PMS color)? Remember
the inside of the newsletter: the pages will be facing each other, so the layout
must work on both the left and right pages. You can design left and right pages,
or you can use one basic layout for both. Decide what the headers and folios
(page numbers) will look like, and remember that these can be design elements. Consider
if and how you will use the following in your format: photos; rules; screens;
bleeds; white space; reversed type; a table of contents (not needed in general);
and graphic elements, such as clip art and dingbats. Design
Your Nameplate The nameplate is the area on the front cover that includes
any or all of the following: - name of the newsletter
- tagline
(a line that summarizes the publication or mentions the publisher or audience)
- date
- volume
- issue
number
- organizational logo
When designing the nameplate, consider
the following suggestions: - emphasize the most important word in the
title
- pick an alignment (left, centered, or right) for the title
and add the other elements around that
- separate items logically, i.e.,
group the date, volume, and issue number together
- choose an appropriate
typeface (see below)
- consider the use of color
- consider the use
of contrast by reversing out the text (print the text in white over a darker background)
Choose
a Typeface Generally speaking, use a serif typeface (one that has short
lines at the end of letter strokes, like the Times Roman used here) for the body
and a sans serif typeface (one without serifs, like the Arial used here) for the
headlines and subheads. Serifs guide the readers' eyes, making it easier to read.
A 10 point typeface is usually good for body text, and a 20-30 point typeface
is good for headlines. The leading (the space between lines of type, pronounced
"ledding") should be at least two points larger than the body type.
A typical newsletter body type is Times Roman 10/12 (the first number, 10, represents
the point size, and the second number, 12, represents the leading). The leading
for the headline will vary, depending on the typeface and the desired look. A
good rule of thumb is to pick one basic type family for the body and one basic
type family for the heads and subheads and stick with them-be consistent throughout
your newsletter. Consider your audience when you're choosing your typeface.
For instance, older readers will need a larger body type than younger readers. Also
consider what you're trying to convey-each typeface has its own personality. Create
a Style Sheet A style sheet is a collection of style and formatting
commands that are applied to paragraphs by choosing a name from a menu. Below
are the common items found on style sheets-your publication may not have all of
these features, or it may have even more. - Body text
- Bulleted
lists
- Bylines
- Captions
- Column headlines
- Credit
blocks
- Department headlines
- First paragraph drops caps
- Headlines
- Jump
lines
- Pull quotes
- Subheads
Design
Your Masthead The masthead, not to be confused with the nameplate,
is the block of text identifying the publication, staff, address, etc. All
mastheads should have the publication name, statement of purpose, address, phone
number, fax number, email address, internet address, and the name of at least
one person for readers to contact. Beyond that, it's up to you to determine what
is appropriate for your publication. You could include the date, volume, issue
number, and a disclaimer of your own choosing. Create
a Prototype Once you have a general idea of the layout and all the
details that go into it, it's a good idea to create a prototype issue, using fake
photos and art and dummy text that marks every 25th word with the word count.
Play "what if" at this stage. "What if" we used one
big photo on the front to draw the reader in? Will this detract from the copy
or will it enhance it? "What if" we have a list of short items that
need to be grouped together? Where will that fit? This experimental version of
your newsletter will help you find and solve design problems before you're under
a time deadline with the "real thing." Do
an Issue Compile all of your stories, photos, and art. Sketch
out the issue on paper. You'll know how many words will fit where from your prototype,
where your word count is indicated. Open up the computer file and start
laying it out. Sometimes where you start is dictated by the material you already
have; otherwise, you can start where you like. Pay attention to typesetting
details: use only one space after a period, use em dashes (- instead of two dashes)
and en dashes (- to separate numbers), use smart quotes (" " instead
of " "), etc. Proofread and edit your publication yourself, and
have at least one other person do the same. Prepare the computer file and
dummy (a mock-up of the printed piece showing colors and folds) for the printer. Work
With Your Printer From the Beginning Know what printer you'll be using
and have a conversation with the printer's rep at the beginning of the process.
If you don't have an established relationship with a printer, shop around and
get bids for your print job. You'll need to know most of the details of your publication,
such as the page size, the number of colors, the quantity, folds, etc., before
you get bids, but pick a printer as early in the process as possible. You'll
need to resolve the following issues up-front: Who will be scanning
the photos and line art: you or the printer? How will the printer take
your work: on a disk or as camera-ready art? How many days will the
printer need to print the job? Establish a Readership
Survey Schedule As with any publication, a newsletter must remain interesting
and relevant in order for it to be successful. Plan periodic surveys of your readership,
either within the publication itself or via a separate mailing, to all or a random
sample of your database. The survey should be mainly multiple choice,
to make it easy for the readers to fill out. When providing a scale, such as from
"very dissatisfied" to "very satisfied," only give an even
number of choices, so that readers must make a judgement one way or the other.
Include a few open-ended questions for those who wish to provide more detail. Revise
and Improve Your Newsletter Remember that a "perfect" newsletter
does not exist-the trick is to figure out what works best for your audience. Each
edition of your newsletter will get better, and you'll be providing an improved
product for your readers each issue. © Shannon R. GaNun 1998 top
of page Publication
Analysis Form
What is the
purpose of the publication? Publisher's viewpoint: - Why
is the publisher producing it?
- What is the primary message?
- What
are the secondary messages?
- What does the publisher hope to gain from
producing this publication?
Reader's viewpoint: - Why would
the reader read it?
- How will the reader benefit from this publication?
Who
is the reader? What are the readership demographics? - age
- education
level
- ethnic background
- gender
- geographic area
- income
- political
viewpoint
- profession/occupation
- religion
- socioeconomic
class
- others...
In what formats would the reader want to
receive this information? Are there any special conditions or situations
under which the reader would use this information? Where will the reader
most likely read this publication-at work, at home, somewhere else? Is the
reader reading for fun, profit, self-improvement, or something else? What
other competing publications does the reader read? What other general interest
publications does the reader read? Production Analysis
What are the budgets for the following: ________ editorial
(in-house and contractors) ________ design and desktop publishing production
(in-house and contractors) ________ photo/illustrations (custom and stock)
________ printing (prepress, printing, collating, binding, shipping) ________
distribution (mailing lists, collating and mailing, postage) What
are the design considerations for the publication? ________
final page size ________ number of pages ________ copy provided ________
reply card ________ self-mailer ________ number of colors ________
postal regulations (size, weight, folds, permits, barcodes) ________ where
does mailing house want to put mailing label ________ folding/binding requirements How
will the publication get into the readers' hands? ________
mail ________ handouts ________ newsstand sales ________ free point-of-purchase What
are the time constraints? ________ Date in reader's hands
________ Date dropped in mail by mail house ________ Date delivered to mail
house ________ Date printer gives bluelines/proofs ________ Date job goes
to printer ________ Date final page proofs are approved ________ Date
commissioned art/photos are received ________ Date initial design comps are
due ________ Date of initial editorial/design meeting ©
Shannon R. GaNun 1997 top of page Web
Site Analysis Form 1. What is the purpose of the
web site? - Why are you producing the web site?
- What do you
hope to gain from the web site?
- How will the reader benefit from the web
site?
2. Who is your target market? 3.
What is your Unique Selling Proposition (USP)? - What makes you unique?
- What differentiates you from your competitors?
- Why should people
choose to work with you or your organization?
This information should
be front and center on the web site. 4. What external
factors will affect development and maintenance of the web site? - Who
are your major competitors and what are their strengths and weaknesses?
- What
other issues should we be aware of?
5. What research
needs to be done? - How can we find out what has worked for others?
- What
can we learn from their experience?
This could save us time and help
us avoid mistakes. 6. What specific information do you
want on the web site? 7. How do you want the web site
to look? 8. What is the timeline for developing the web
site? 9. What is the budget for developing the web site? 10.
What is the budget for maintaining the web site? 11.
Who will be responsible for developing the content (including graphics) of the
web site? 12. Who will be responsible for maintaining
the web site? 13. What URL would you like for the web
site? 14. How do you plan to evaluate the web site?
- It is important to regularly evaluate the web site to get the most value for
your time and money.
© Shannon R. GaNun
2005 top of page Writing
Tips Keep your paragraphs short.
The average paragraph is 42 words, but 30-word and 60-word paragraphs are okay.
Readers are likely to skim or skip long paragraphs. Jon Ziomek, a professor at
the Medill School of Journalism, suggests that your paragraph contain- 1 main
thought, expressed in 2 to 3 short sentences, taking up no more than
4 to 5 lines on the page. Keep your average sentence length to 14
words so readers can understand them. The lead in an article
should be short, no more than 25 words. Keep your words short,
too. Try to use only 2-3 syllable words. For example, try "use"
instead of "utilize." People read at 200 words per minute,
so if they only have two minutes to read your information, you should only write
400 words. © Shannon R. GaNun 2002 top
of page Make
More Money With An Effective Communication Plan Before you start
a journey, you have to know where you're going and how to get there. In the communications
field, the roadmap to reach your destination is the marketing/communication plan.
By developing a comprehensive marketing/communication plan and religiously following
it, companies will see improved communications and increased profits. Establish
a Purpose The first step in developing a marketing/communication plan
is to establish a purpose, which should be the essence of simplicity-people who
read it should immediately understand what you're trying to accomplish. Here's
an example: "The purpose of this plan is to establish regular communication
with existing clients and to market the firm to potential clients." List
Specific Goals Once your statement of purpose has been established,
you need to set specific goals on how to get there. In order to ensure that your
plan is followed, limit your goals to no more than five. These goals should be
specific and able to be measured. For instance, a specific goal from the above
example could be the following: "Develop a communication series to be mailed
to all clients and prospects." You will develop strategies to accomplish
these goals later in the plan. Determine Your Target
Markets Establishing well-defined markets that are reachable in a targeted
manner is essential to the success of any marketing/communication plan. Be as
specific as you can regarding your target markets. In the above example, "existing
clients" is a clearly defined market that should be reachable through the
use of the company's database. Address External
Factors If any external factors are likely to affect your outcome,
list them here. If one of your goals is to develop a quarterly newsletter and
your competitor is already mailing a newsletter to your target market, you need
to know that. If you believe you have the very best product available, write it
down so everyone who reads your plan will know it, too. This is where you will
list your major competitors and their strengths and weaknesses. Develop
a Unique Selling Proposition/Campaign Slogan Before any marketing can
be done, you must develop a Unique Selling Proposition (USP). What differentiates
you from others in your field? What makes you unique? Why should people choose
your company? For instance, do you offer the lowest price in your market? Is your
customer service top-notch? Do you guarantee your work? Don't assume you know
what makes you unique-ask your employees and customers what they think. Ask why
clients do business with you, and ask former customers why they don't work with
you any longer. (Their answers may tell you what you should be promoting about
your firm.) Be sure to check out your competition to see how they position their
businesses. If your company already has a slogan that reflects your USP, list
it here and incorporate it into this plan. Establish
Specific Strategies to Meet Your Goals Under "strategies"
on your marketing/communication plan, list each specific goal from above and then
write down strategies to meet each goal. These strategies form the "meat"
of the marketing/communication plan, so you should spend a good amount of time
brainstorming. If you haven't already done so, get your employees involved in
developing these strategies. If one of your goals is to "Develop a
communication series to be mailed to all clients and prospects," your strategies
could include "Design a quarterly newsletter," "Design a monthly
flyer," "Design postcards to be mailed on breaking news items,"
and "Develop a publication calendar." If one of your goals is to "Package
our message," four specific goals could be to "Design and print letterhead,
business cards, and envelopes," "Write a capabilities statement,"
"Develop other promotional materials as needed, such as staff biographies,"
and "Design a web site." When you are developing strategies,
it's important to think in term of benefit to your customers and to your bottom
line. If developing a corporate brochure will make your staff feel good but won't
help your customers understand the benefits of your product or service and won't
increase your sales, you probably shouldn't develop one. Also list the cost for
each of your strategies. Conduct Research
Plan to conduct research. Find out what has worked for others in the same field
and what can be learned from their experience. That way, you'll save time and
avoid costly mistakes. You may also need to conduct generic research using your
local library or the internet. More specific, customized research may also be
needed. The more information you have up front, the more successful your plan
is likely to be. Establish a Calendar
In order to ensure the success of your marketing/communication plan, establish
clear deadlines and make sure all employees and consultants know the consequences
of not meeting those deadlines. If you're serious about making the plan a success,
you have to be serious about ensuring everyone meets the deadlines. List
the Total Budget Add up all the costs you estimated in your strategies.
This represents the total cost of your marketing/communication plan. Implement
Your Plan Once the plan is complete, you should determine the best
way to implement it. Your plan will be comprehensive, but that doesn't mean the
entire plan will need to be implemented at once. You may want to hire outside
consultants to implement certain aspects of the plan, or you may wish to handle
the entire implementation in-house. Your plan will be organized in such a way
that you can pick the goals and strategies you want to concentrate on, when you
want to concentrate on them. Evaluate Your Plan
Evaluation is one of the most important parts of any marketing/communication
plan. Establish regular checkpoints throughout the year. A comprehensive quarterly
review and planning session will help keep you on track and is much easier to
focus on and digest than reviewing an entire year. Remember that your marketing/communication
plan is a long-term strategy designed to get you where you want to be. You may
not see immediate results at your initial 90-day review, but don't give up. On
the other hand, if you have been using a specific strategy for a year and you
fail to see measurable results, you may wish to eliminate or change that strategy.
It's important to regularly evaluate your plan so that you are getting the most
value for your time and money. © Shannon R. GaNun 1999
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